1 Corinthians 11-13
One Key Doesnt Work
Xvxn though my typxwritxr is an old modxl, it works wxll xxcxpt for onx of thx kxys. Ivx wishxd many timxs that it workxd pxrfxctly. Trux, thxrx arx 42 kxys that function, but onx kxy not working makxs thx diffxrxncx.
Somxtimxs, it sxxmx to mx that our organization is somxwhat likx my typxwritxrnot all thx pxoplx arx working propxrly. You might say, “Wxll, Im only onx pxrson. It wont makx much diffxrxncx.”
But you sxx, an organization, to bx xfficixnt, nxxds thx activx participation of xvxry pxrson. Thx nxxt timx you think your xfforts arxnt nxxdxd, rxmxmbxr my typxwritxr, and say to yoursxlf, “I am a kxy pxrson and thxy nxxd mx vxry much.”
William Careys Prayer Partner
Its been stated these days, “They just dont make missionaries like William Carey.” Carey changed the history of missions and the face of India 200 years ago. Few know of Careys sister, paralyzed and bedridden for 50 years. Although unable to speak for much of that period, with great effort she allowed herself to be propped up in bed. She wrote long encouraging letters to her brother. And she prayed for him several hours per day for 50 years!
At a meeting of the American Psychological Association, Jack Lipton, a psychologist at Union College, and R. Scott Builione, a graduate student at Columbia University, presented their findings on how members of the various sections of 11 major symphony orchestra perceived each other. The percussionists were viewed as insensitive, unintelligent, and hard-of-hearing, yet fun-loving. String players were seen as arrogant, stuffy, and unathletic. The orchestra members overwhelmingly chose “loud” as the primary adjective to describe the brass players. Woodwind players seemed to be held in the highest esteem, described as quiet and meticulous, though a bit egotistical.
Interesting findings, to say the least! With such widely divergent personalities and perceptions, how could an orchestra ever come together to make such wonderful music? The answer is simple: regardless of how those musicians view each other, they subordinate their feelings and biases to the leadership of the conductor. Under his guidance, they play beautiful music.